Ron Howard’s masterpiece will have you in stitches, says Aaron Murphy
With shows like Twin Peaks and Arrested Development having a small but loyal audience and often being referred to as ‘cult’ shows, Laura Bell investigates what the term actually means Continue reading
Over a decade since the tragedy of 9/11, Laura Bell charts how television still faces the challenge of how to deal with the building’s absence Continue reading
Treme is a show really quite unlike anything else on television. Its closest relative is likely David Simon’s other career defining masterpiece, The Wire, but even then, such a comparison isn’t quite apt. A show like Treme could never have existed on anything other than HBO, their support of truly great unconventional drama admirable, standing strong even in the face of continually plummeting ratings. Thus far, across two seasons, it has been the slowest of slow burners, a paradoxical tale of everything and nothing, a great novel in motion. All of these things continued to ring true as it wrapped up its excellent third season. Continue reading
I know what you are thinking and the answer is no, X-Factor isn’t over yet, even though it seems to have gone on for one million weeks already. But the end is near, as the semi-final is on Saturday, with the grand final in Manchester the week after. In a final gasp of decline in popularity, which has been the theme of this series, the X-Factor winner’s single will be released before the fight for Christmas number one. Continue reading
During an interview with Girls creator Lena Durham she admitted that when coming up with titles for the ground breaking show one of the names suggested was Tampon City. If this name had stuck Girls would have looked, from the surface, like just another mediocre sitcom about quirky women who shock with their talk of periods and sex but do it in the acceptable cute way. This would have been an awful step back for the TV show as it is the exact opposite of what Girls is trying to do both for comedy and the portrayal of women on television. Yes, periods are mentioned, like when Hannah and Marnie are talking about being organised and Hannah says “you’re really lucky because I never know when I’m getting my period. It’s always a surprise, which is why all of my underwear is covered in weird stains.” But so is sex (“that was so good, I almost came“), unemployment (“I can last in New York three-and-a-half more days, maybe seven if I don’t eat lunch.”), abortions (“you are a really good friend and you threw a really great abortion”) all in the same vein. These issues aren’t brought up in Girls as a way of shocking the audience by saying controversial things, but in a casual, ‘these things happen every day to normal people’ fashion, which is what makes the show so great.
It is based around four young twenty-somethings living in New York, all struggling with finding themselves in this big bad world. Hannah, played by creator Lena Durham, is an aspiring personal essay writer, covered in tattoos of children’s illustrations, who has just been cut off financially by her parents. Marnie is her flatmate who is trying to face up to the fact that she isn’t attracted to her long term boyfriend anymore, and the sweeter he is to her the more she hates him. Jessa, their English friend from college, bursts back into their life in a flash of feathers and flowing skirts after travelling the world alone. She moves in with her cousin Shoshanna, a insecure, pop culture loving, virgin.
These girls are gritty and real, their storylines come with bite and the comedy flows naturally out of their depressing situations. As characters they can be annoying, self-centred, unlikeable and a breath of fresh air. It is almost a relief to watch a programme which doesn’t command you to love the main characters all the time but gives you the freedom to think “I would never be friends with these people.”
If the format sounds familiar, four girls waltzing around Manhattan talking about sex and relationships, it must be made clear that Girls is not a new version of Sex and the City. For starters, the characters are all different sizes and shapes, something that is not made an issue of. Instead it is presented to you in the form of a half naked, curvy Hannah, laid bare for you to think what you will and then move on. And they don’t sit around contemplating their mistakes but make some, then go out and make them all over again, like real people in the real world would.
This show doesn’t only change the perspective of women on television; men are portrayed in a new light too. They are not just one dimensional beings who are judged on what is inside their wallet and their boxers. The men in these girls’ lives have layers and complex personalities. They don’t say soppy romantic things into the girls ear when making love but sometimes pretend the girl is a school girl they are about to send back to her parents “covered in cum”.
Adam, Hannah’s love interest, is one of the most original characters to have come out of a TV show in a long time. From the first episode he seems to be acting like a horrible person who Hannah should not be wasting her time on. However, as the series develops, so does his character and as you start to feel different about him you also start to see how he actually hasn’t been that horrible, you just didn’t know him before. Chris O’Dowd and Jorma Taccone also feature to add to the fantastic, uncliched cast.
Finally a comedy has arrived that we can watch with our head in our hands, whispering shamefully: “I’ve done that before, too.” Kind of like Geordie Shore but with less tan and better English.
Laura Bell takes a look at how the annual pre-Christmas advertising can put a damper on your festive cheer Continue reading
Homeland is without a doubt one of the best TV shows around at the moment, and the first season of the high-octane edge of your seat drama did not disappoint. Continue reading
Mad Men is entering into its last two episodes of Season Five on RTÉ, though the series is already out on DVD so enthusiasts will know the ending already. Not that that means much because Mad Men was never a show to hinge on shock endings or cliff-hangers. Season Five starts off with a civil-rights demonstration and we learn the year is 1966; playboy Don Draper (Jon Hamm) is happily married to his new wife Megan (Jessica Pare), the world is changing.
Whenever it is revealed that two people have received the least amount of votes and they are to face each other in the sing off, everyone always looks around in shock. This happens from night one of the live shows and continues until the end every year.