News

The latest on everything that matters to student life, from UCD’s campuses and from around the country

Otwo

The University Observer’s award-winning arts and culture supplement features the best in new music, film and fashion

Features

Peek behind the scenes of student life and gain a deeper insight into the matters shaping academic life

Science & Health

Thoughts, debate and commentary on the latest breakthroughs and discoveries about the wider world

Sport

Catch up with the latest UCD sports news and read opinion, debate and analysis on all things athletic

Home » Otwo

Film: Everybody’s Fine

Contributed by Emer Sugrue, Opinion Editor on Tuesday, 16 February 2010No Comment

Director: Kirk Jones
Starring
: Robert De Niro, Drew Barrymore, Kate Beckinsale
In cinemas
: 26th February

Oh dear – what to say about Everybody’s Fine. Before I went into the cinema it was a beautiful morning. The sun was shining with the first semblance of warmth we’ve had this year: the first morning of spring.  I was thinking of having a look around the shops afterwards and maybe buying a new dress, spending the last of my Christmas money. When the film was over, I wanted to hurl myself into the Liffey.

The story features Robert De Niro as a retired widower with four grown-up children who all live far away and don’t talk to him much. When they all cancel a weekend visit to their dear old dad, he decides to get on a bus across the country to surprise them. His kids are not as happy and successful as they had let him believe, however, and there are a lot of unresolved issues about their childhood.

Unfortunately, despite the interesting plot and a top-notch performance from De Niro, this film is a wall-to-wall misery fest, depressing from the off and going downhill from there. The most disappointing thing is that many of the elements are very good. The acting is superb – not just from De Niro but his adult children played by Drew Barrymore, Sam Rockwell and Kate Beckinsale. We don’t see enough of them though – just the rough elements of their relationship with their dad. Much is left unsaid and it could have lifted the mood if we were let in a bit more to their lives. The characters and story feel realistic, but there’s more to a good film than realism.

Bereavement, aging and death are all very real, but I don’t want to spend two hours having them rammed in my face – it was like the Ludovico technique from A Clockwork Orange, but instead of violent films being forced down my eyeballs, it was pure concentrated depression. Sad films can be enjoyable but you need some sort of payoff: an uplifting resolution, a meaningful message, or at least a good cry. I think the final message of Everybody’s Fine was to be more honest with your family but I’d basically lost the will live by then.

In a Nutshell: If contemplating suicide and trying to gather the courage to jump, this is the movie for you. Otherwise use the money to buy something cheerful, like a ticket to a different movie.

Emer Sugrue

Comments are closed.